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他的早起定居者在他们房前造型的农场家庭肖像画,模拟了照片的静态形式主义 。
His paintings of farmers at work, and of their tools and animals, demonstrate a serious respect for the life of the Midwestern United States.
他的农民干活的画作,以及他们的工具和牲畜,展现了对中西部美国生活的一种严肃的尊重 。
By the 1930's, Wood was a leading figure of the school of art called "American regionalism."
在二十世纪30年代,Wood成为被称作“美国地方主义”的艺术学院的领导人物 。
In an effort to sustain a strong Midwestern artistic movement, Wood established an institute of Midwestern art in his home state.
在一个试图维持一个强劲的中西部艺术的运动中,Wood在他故乡的州建立了一所中西部艺术学院 。
Although the institute failed, the paintings you are about to see preserve Wood's vision of pioneer farmers.
尽管学院并不成功,你们即将要见到的画作保持了Wood的拓荒农民的愿景 。


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